Tag: Victoria Gibson
I am in NYC working hard on the show with my collaborators.
Christina deRoos, my collaborator in the visual projection aspect of the show, made a video yesterday and posted it on Vimeo as a demo.
I hope you like it.
Music and Spoken Word – Improvised, Intense and Infused with fun!
A variety of spoken word artistry provided by:
Music provided by Paul Plimley, piano+guitar; Tommy Babin, upright bass; Phil Emerson, guitar and Victoria Gibson, notebook+vocals.
This event is part of a new summer festival presented by Visions Ouest Productions:
Un nouveau Rendez-vous d’été / A new Summer Rendez-vous
Jeudi 12 Août / Thurs. August 12, 2010
Auditorium Jules-Verne, Vancouver
5445 Baillie Street, Vancouver (at 37th Avenue, between Oak & Cambie,
close to Van Dusen Botanical Gardens). Skytrain Station 41st. Free parking.
Tickets : $16 presale online until 6 pm/ Prévente jusqu’à 18h00 ce soir
or $18 at the door
There are two more nights of the festival featuring:
Friday August 13, 8 pm:
Screening of (English subt.) – L’ENFANT PRODIGE / THE CHILD PRODIGY Luc Dionne
Admission: $10 Tickets sold online
Bande-annonce / trailer <http://www.youtube.com/watch?v=I3a3UkDD5gs>
Saturday August 14 – THE CLOSING NIGHT
Screening of PICHÉ, ENTRE CIEL ET TERRE / PICHÉ: THE LANDING OF A MAN
(English subt.) – Sylvain Archambeault
Admission: $10 Tickets sold online
Followed at 10 pm by L’ÉTHÉÂTROPICAL with DJ Marc Fournier
Une célébration de l’été et un au-revoir à tous les artistes et bénévoles
qui ont participé à L’ÉTHÉÂTRE.
I will miss the extremely fun after party because I will be in New York city.
So you have to come to my show if you want to see me before I go.
The piano trio is where my friend Paul Plimley really lives. Yes, I can interest him in electronics; and he does play guitar, vibes and percussion — but he really lives his most joyous moments with bass and drums.
The trio with Barry Guy, Paul Plimley and Lucas Niggli was one of my personal highlights from the 2010 Vancouver International Jazz Festival. They reached the highest levels of improvisation in ensemble performance where they meshed into a texture of beauty and complexity that shone with emotion.
Lucas Niggli is a Swiss drummer who plays with style and delicate strength. He stretches the boundaries of percussion while playing in the pocket for the band. This balancing act displays the greatness of a drummer; too much steady time keeping and the innovative spark fades, too much of stretching one’s own personal boundaries and the connection with the ensemble is lost.
The photos show the level of communication and emotion present in the Ironworks as each of these expert musicians wholeheartedly joined their considerable individual talents into a cohesive whole.
Barry Guy (below) is a bass player living in Switzerland, who plays with Lucas often. This evening of music allowed him to display many extended techniques and timbres. He played with intelligence, skill and unrepentant emotion. His composition, Fixed, Fragmented, Fluid; had been played as one of the festival opening works in a larger ensemble that included this trio. That was structured improv, but this was free and he was able to fly with his fingers and bow with authority.
There was a Canadian pianist who completed the trio named Paul Plimley. I must admit to being biased when I write about Paul, but I have seen him play in Vancouver many times, and grace the stage of the Ironworks with other trios. This was one of the best performances I have ever witnessed from the maestro. The combination of Barry Guy and Lucas Niggli challenged, supported, encouraged and battled with Paul in the most delightful way possible. There was always a spirit of fun and several times the joy crackled in the air like electricity.
I was a photographer that evening, soundless and motionless focusing on the light and motion as I was transported by the music.
Third Podcast in the Girl Can Dream Series
The previous two podcasts were about my heritage music, gospel and blues. This third one features some of the work I do using the computer and effects. All the music in this series is written and performed by me, Victoria Gibson, and I have imposed the limitation that I be able to perform it in a live solo concert. I am playing with a computer in one of these examples, but I still count it as a solo work.
The title, “Echoes of You Far Away” comes from the memories of the interesting people that I spent time with this summer who are far away now. The style is a recollection of the naturally echoing space called “The Cistern Chapel” that I speak about in the podcast audio.
In May, I met Pauline Oliveros, Stuart Dempster and David Gamper, the trio known as The Deep Listening Band, in Port Townsend. This ensemble first recorded in the cistern 20 years ago and many sound artists have followed them down the narrow entrance to experience the 45 second reverb since then. My mission was to document the 20 year anniversary return of the Deep Listening Band to The Cistern Chapel located nearby in Fort Worden with video and photos and to assist with the audio recording.
I journeyed to the location on my Yamaha FJ1200 motorcycle loaded down with all the required gear.
The video and photos that were taken of the band may be released by The Deep Listening Institute as a DVD or on their website, but I am giving a preview of the photos I took of the Cistern Chapel. I do not include any photos of the band as some of them may be used in the commercial release and we have not finalized the details. The audio was recorded by Jonas Braasch, a colleague of Pauline’s from Rensselaer Polytechnic Institute, School of Architecture, Architectural Acoustics Program who is a fine saxophone player. The audio of my experiments was recorded by me using my Zoom H4.
This slideshow gallery includes photos of my trip and some of the cistern itself. It was very dark under the ground and the feeling in the place was unique.
The second podcast of Girl Can Dream, moves into the realm of electric slide guitar. I also realized I don’t have many photos of myself on-line, so I started using the timer feature on my camera. This one came out fairly Ok, but the focus is not really sharp yet. I am trying to take a photo of me with no makeup in natural light. I have seen some great portraits lately, so I am inspired to move in this direction.
As always, comments or donations encourage me to keep going in this direction. I would like to hear from you. Girl Can Dream is a new initiative of mine as I usually play with a band. The high costs associated with touring in an ensemble have given me the idea to experiment with a solo project.
Performances will become more polished as I become used to making all of the noise myself. I may start to add electronics to give me some support, but for now, I am trying to go back to my roots and keep it simple.
Paul Plimley and Victoria Gibson have formed the duo, You Are Here and are excited to announce their first podcast. This podcast contains samples from the first three musical works completed from their upcoming disk “Twilight Zone Love Affair”. Paul and Victoria discuss the meaning and the making of the three tracks, Condensed History Patterns, In A Ghana Havana and Sleepwalkers Vacation.
Download a pdf file outline of the three tracks and some information about Paul and Victoria here.You Are Here (YAH)